Still Alive From The Original Motion Picture Sc...
Still Alive From The Original Motion Picture Sc... ->->->-> https://www.google.com/url?q=https%3A%2F%2Furluso.com%2F2tEbzz&sa=D&sntz=1&usg=AOvVaw3sQ1MNXHM9iBbR1jlvHbba
The soundtrack features soul, R&B, and pop-rock music from the 1960s and 1970s, including tracks by Creedence Clearwater Revival, Aretha Franklin, Marvin Gaye, The Temptations, the Rolling Stones, and Three Dog Night. The music from the motion picture was composed and conducted by Bill Conti.
The collection contains seven million feet of nitrate motion picture film and four million feet of safety motion picture film documenting the national and global politics and culture from 1919 through 1934 and from September 1942 through August 1944. Paper holdings provide detailed notes generated by original camera crews as well as ephemera related to individual stories.
The Local Television News Collections at Moving Image Research Collections (MIRC) comprise approximately 1.5 million feet of 16mm motion picture film outtakes dating from the late 1950s to the early 1980s, donated by several South Carolina television stations.
Sec. 23-235-Minors employed as stars or performers in motion picture, theatrical, radio or television productions are exempt from the law governing persons under the age of 16 if before the beginning of production, the production company provides the Department of Labor with the name and address of the person, the length, location and hours of employment and any other information required by the Department.
Sec. 38-614 and 616 - Children employed in the entertainment industry are exempt from child labor requirements, except that infants under one month must have written certification from a licensed physician stating that they are at least 15 days old and that they are physically capable of handling the work. Sec. 38-622 - Rules and regulations may be adopted setting standards for minor children on motion picture sets. Sec.21-3604 - Courts may require a portion of earnings be set aside for the minor in a trust.
OF AN AGETheatersIt is the summer of 1999, and 17-year-old Serbian immigrant Kol (Elias Anton) is not having a good morning. His best friend and dancing partner Ebony (Hattie Hook) went wild the prior evening and woke up on a beach over an hour outside of Melbourne without her purse, money, or any identification. Making matters worse, today are the Australian Dance Finals, and they are supposed to be performing. It's an impossible situation, and Kol is frantically trying to come up with a solution to their seemingly insurmountable problem.Ebony has an idea. Kol needs to find her older brother, Adam (Thom Green) and convince him to pick her up and then take them both to the dance finals. Even if he agrees, there's still little chance they'll make it. But at least they can say they tried, and that's something.Of an Age is writer-director Goran Stolevski's striking, quietly personal follow-up to his masterful debut, You Won't Be Alone. While that film was a passionately feminist thriller revolving around a shape-shifting witch who learns about humanity by taking on the skins of those she kills (both intentionally and accidentally), this new drama is an exceedingly grounded coming-of-age tale about a young man confronting his internalized homophobia.Yet both motion pictures are intimately connected. They are each, at their core, about identity. They are about the search for self and have a shared fascination with what it means to be human. Stolevski asks penetrating questions and frequently lets the audience determine the answers on their own. How a person solves these impenetrable mysteries is personal to them and to them alone, and I cannot help but believe that is entirely by design.Granted, Of an Age is a far more straightforward and comfortably conventional motion picture than its ethereally esoteric predecessor. Kol is a teenager living in a staid, conservative community who is afraid to accept he is Gay and would rather live a lie than come out of the closet. This day, much of it spent in a car with Adam, transforms all of that. There's not a lot more to it.Don't let this narrative simplicity fool yo